1
00:00:02,919 --> 00:00:03,628
♪♪

2
00:00:03,712 --> 00:00:04,838
[ Voice over ] HEY, I'M SADIE.

3
00:00:04,879 --> 00:00:07,298
MY LIFE IS FILLED WITH
ALL KINDS OF WEIRD CREATURES

4
00:00:07,382 --> 00:00:10,301
FROM BEST FRIENDS
TO IMPULSIVE BROTHERS.

5
00:00:10,385 --> 00:00:11,761
SOMEHOW WE
ALL FIT TOGETHER,

6
00:00:11,845 --> 00:00:13,012
NATURALLY.

7
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♪ IF I COULD CHOOSE
A WORLD FOR ME ♪

8
00:00:17,267 --> 00:00:19,769
♪ IT'D BE OPEN,
BIG AND FREE ♪

9
00:00:19,853 --> 00:00:22,188
♪ I'D PICK A PLACE
NOT LIKE THE REST ♪

10
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♪ NOT LIKE THE REST ♪

11
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♪ IT'D BE BEST ♪
♪ MY WORLD ♪

12
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♪ MY SPACE, MY FRIENDS ♪

13
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♪ I RUN TO YOU WHEN
NO ONE'S THERE ♪

14
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♪ NO ONE'S THERE ♪
♪ AND OTHERS STARE ♪

15
00:00:35,243 --> 00:00:38,371
♪ AND THERE WE'LL BE ♪

16
00:00:38,455 --> 00:00:42,208
♪ NATURALLY ♪

17
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Sadie: [ Voiceover ]
SOMETIMES IN LIFE,

18
00:00:45,754 --> 00:00:47,213
YOU HAVE TO
SHAKE THINGS UP.

19
00:00:47,297 --> 00:00:48,048
TAKE RAIN.

20
00:00:48,131 --> 00:00:50,091
HE WAS SHAKING
THINGS UP AT THE WOW.

21
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OKAY. NOW,

22
00:00:52,135 --> 00:00:53,386
TELL ME THIS WON'T DRAW A CROWD

23
00:00:53,470 --> 00:00:54,763
FOR THE POETRY SLAM TONIGHT.

24
00:00:54,846 --> 00:00:56,806
"ARE YOU A POET BUT
DON'T EVEN KNOW IT?"

25
00:00:56,890 --> 00:00:58,767
IF SOMEONE'S A POET BUT
THEY DON'T EVEN KNOW,

26
00:00:58,850 --> 00:01:00,685
WILL THEY KNOW
ENOUGH TO COME?

27
00:01:00,769 --> 00:01:03,104
Sadie: [ Voiceover ]
AS FOR ME, I WAS
SHAKING THINGS UP

28
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WITH MARGARET'S "FAKE IT
'TIL YOU MAKE IT" RULE;

29
00:01:05,440 --> 00:01:07,776
ACTING AS IF MY FRIENDSHIP
WITH BEN WAS FINE

30
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WAS SUPPOSED TO
MAKE IT FINE.

31
00:01:09,819 --> 00:01:10,737
IN THEORY.

32
00:01:10,820 --> 00:01:11,905
OH, UH,
YOU TAKE IT.

33
00:01:11,946 --> 00:01:12,906
NO, YOU. I INSIST.

34
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NO, GO AHEAD.
Rain:
GUYS,

35
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THERE'S, LIKE,
TEN MARKERS.

36
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Sadie: [ Voiceover ]
I REALIZED IT WOULD
TAKE A LOT MORE EFFORT

37
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TO MAKE THINGS
RIGHT WITH BEN.

38
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SO, YOU THINK
YOU WANT IT NOW.

39
00:01:21,247 --> 00:01:22,081
BUT ONCE
YOU'VE GOT IT,

40
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YOU'LL PROBABLY
CHANGE YOUR MIND AND...

41
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THEN YOU'LL WANT
BREAK UP WITH IT

42
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IN FRONT OF ALL
THE OTHER MARKERS.

43
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Sadie: [ Voiceover ]
I DON'T THINK HE'S
TALKING ABOUT THE MARKER.

44
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[ ♪♪♪ ]

45
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OKAY,

46
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I COULD BRAG
TO SOMEBODY
MORE IMPORTANT,

47
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BUT YOU GUYS
WILL DO.

48
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BEHOLD THE GENIUS
WHO HAS JUST PULLED OFF

49
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HIS 50th
CONSECUTIVE PRANK.

50
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HUH? AH? AH-H.

51
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YOU SWITCHED
THE PUSH-PULL
SIGNS ON THE DOORS!

52
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HUH. THAT'S WHY
IT TOOK ME TEN
MINUTES TO GET IN.

53
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NOPE.

54
00:01:50,985 --> 00:01:52,695
OOH. THEN I
HAVE NO EXCUSE.

55
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DO YOU GUYS KNOW
WHAT THIS MEANS?

56
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NO. NOBODY TOLD ME
THERE WAS GOING
TO BE A TEST.

57
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I'VE TIED THE RECORD
SET BY THE PRANKINATOR.

58
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WOW! THE PRANKINATOR'S
A LEGEND.

59
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Taylor:
NO WAY! MALLS
HAVE LEGENDS?

60
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THE PRANKINATOR
HAS A TOTALLY
UNBLEMISHED RECORD.

61
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HE PULLED OFF 50
CONSECUTIVE PRANKS

62
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AND NOT ONE OF THEM
EVER WENT WRONG.

63
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AND THEN HE RETIRED.

64
00:02:10,964 --> 00:02:12,632
AND NO ONE KNOWS
HIS IDENTITY.

65
00:02:12,674 --> 00:02:14,801
SO TELL ME, HAL,

66
00:02:14,843 --> 00:02:17,387
WHAT'S YOUR BRIGHT
IDEA FOR CAPER 51?

67
00:02:19,722 --> 00:02:21,349
WELL, SEEING AS
HOW THE PRANKINATOR

68
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ALREADY SWIPED
THE STOP BUTTON
OFF THE ESCALATOR,

69
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I'M GOING TO PLAN B.

70
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Mall Cop:
WELL, WELL, WELL,

71
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WHAT A COINCIDENCE.

72
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WORST DAY OF MY LIFE,
AND YOU'RE HERE

73
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FOR THE EARLY BIRD
BAGEL SPECIAL.

74
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WOW!

75
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I WISH MY HAIR WAS
MADE OF COTTON CANDY.

76
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GEE, MALL COP,
WHAT HAPPENED?

77
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DON'T PRETEND YOU'RE
NOT BEHIND THIS.

78
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ACTUALLY, THAT WAS ME
PRETENDING I CARE.

79
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WELL, YOU WON'T
HAVE MALL COP TO
LIE TO ANYMORE.

80
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WHY? WHAT,
DID YOU QUIT?

81
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I WAS FIRED.

82
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[ ♪♪♪ ]

83
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MY POSTERS WORKED.

84
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LOOK AT ALL THE
PEOPLE WHO SIGNED UP
FOR MY POETRY SLAM.

85
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HATE TO BREAK
IT TO YOU, BUT...

86
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THAT'S THE
OVERFLOW FROM THE
KRUMP SIGN-UP SHEET.

87
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[ Sigh ]
KRUMP NIGHT.

88
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NOW THAT'S
A GREAT IDEA.

89
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WISH I'D THOUGHT
OF IT.

90
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NO ONE'S GOING
TO COME TONIGHT.

91
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AT LEAST YOU WON'T
HAVE TO LISTEN

92
00:03:12,317 --> 00:03:14,235
TO ANGST-RIDDEN
HAIKUS ABOUT ACNE.

93
00:03:14,319 --> 00:03:15,236
YOU HAVE TO
HELP ME OUT.

94
00:03:15,320 --> 00:03:16,946
NO WAY.
I "HELPED OUT"

95
00:03:17,030 --> 00:03:18,781
ON YOUR COWBOY NIGHT
LAST MONTH, REMEMBER?

96
00:03:18,865 --> 00:03:19,741
OH, YEAH.

97
00:03:19,824 --> 00:03:21,868
THAT MECHANICAL BULL
DID NOT MESS AROUND.

98
00:03:21,951 --> 00:03:24,579
COME ON, BEN, POETRY
NEEDS A TALL,

99
00:03:24,662 --> 00:03:25,830
GOOD-LOOKING GUY
WITH AN ATTITUDE.

100
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SORRY, NOT GOING TO DO IT.

101
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COME ON.

102
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YOU'D BE GREAT.

103
00:03:32,795 --> 00:03:34,839
BEING A POET IS
SORT OF LIKE BEING
A PHOTOGRAPHER.

104
00:03:34,923 --> 00:03:35,965
INSTEAD OF IMAGES,

105
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YOU CAN USE WORDS
TO TELL A STORY.

106
00:03:38,718 --> 00:03:40,929
THAT'S IT!
DIPLOMACY IS THE KEY

107
00:03:41,012 --> 00:03:42,597
TO GETTING THINGS
BACK ON TRACK WITH BEN.

108
00:03:42,680 --> 00:03:44,724
WITH GENTLE BUT
HELPFUL CRITICISM,

109
00:03:44,807 --> 00:03:46,893
I'LL COACH HIM TO
A GREAT PERFORMANCE
AT THE SLAM

110
00:03:46,935 --> 00:03:48,770
AND THEN WE'LL BE
FRIENDS AGAIN.

111
00:03:48,853 --> 00:03:50,813
GOODBYE, AWKWARD
SILENCES,

112
00:03:50,897 --> 00:03:53,775
HELLO, QUALITY
CHILL TIME.

113
00:03:53,858 --> 00:03:56,569
YOU'LL EXPAND
WHITBY'S CULTURAL
HORIZONS

114
00:03:56,611 --> 00:03:58,071
WHILE DOING A FRIEND
A HUGE FAVOUR.

115
00:03:58,112 --> 00:03:59,906
AND... I'LL HELP YOU.

116
00:03:59,948 --> 00:04:03,326
THAT'S A HEFTY
ORDER FOR A BUNCH
OF RHYMING COUPLETS.

117
00:04:03,409 --> 00:04:04,494
WILL YOU DO IT?

118
00:04:06,120 --> 00:04:06,955
YOU'LL OWE ME
BIG TIME.

119
00:04:07,038 --> 00:04:08,957
AS LONG AS IT DOESN'T
INVOLVE FREE FOOD.

120
00:04:09,040 --> 00:04:10,917
FRED'S REALLY CRACKING DOWN
ON COMPS AT THE WOW.

121
00:04:10,959 --> 00:04:12,669
[ Chuckling ]

122
00:04:12,752 --> 00:04:15,004
I CAN'T WAIT TO
GENTLY MOCK YOUR
BLACK TURTLENECK

123
00:04:15,088 --> 00:04:16,506
AND FANCY BERET.

124
00:04:17,924 --> 00:04:18,883
DON'T PUSH IT, RED.

125
00:04:18,967 --> 00:04:22,929
[ ♪♪♪ ]

126
00:04:23,012 --> 00:04:24,973
YOU GOT A MAN
FIRED BEFORE
9:00 A.M.

127
00:04:25,056 --> 00:04:27,433
I CAN'T WAIT TO
SEE WHAT YOU'LL
PULL AFTER LUNCH.

128
00:04:27,475 --> 00:04:29,769
IT'S A TOUGH
ENOUGH ENCORE, BUT
I'LL DO MY BEST.

129
00:04:29,811 --> 00:04:31,312
DON'T YOU FEEL
BAD AT ALL?

130
00:04:31,396 --> 00:04:32,480
NAH.

131
00:04:32,563 --> 00:04:33,564
MALL COP WILL
BOUNCE BACK.

132
00:04:33,648 --> 00:04:34,941
HE SURVIVED
50 PRANKS.

133
00:04:34,983 --> 00:04:36,484
WELL, 49, ANYWAY.

134
00:04:36,567 --> 00:04:39,946
GIVE ME A HIGH-
DESTROYED-A-MAN'S-
LIFE-FIVE.

135
00:04:40,029 --> 00:04:41,447
THAT'S COLD.
HEY,

136
00:04:41,531 --> 00:04:42,532
I'M GOING
TO KICK BACK

137
00:04:42,615 --> 00:04:44,325
AND EXPERIENCE
A WHOLE NEW FREEDOM.

138
00:04:44,409 --> 00:04:45,535
Mall Cop:
WELL, WELL, WELL.

139
00:04:45,618 --> 00:04:47,412
WE MEET AGAIN.

140
00:04:47,495 --> 00:04:49,330
W... MALL COP, WHAT
ARE YOU DOING HERE?

141
00:04:49,414 --> 00:04:51,416
THERE'S A NEW SHERIFF
IN TOWN, PUNK,

142
00:04:51,499 --> 00:04:53,626
AND THIS TIME
IT'S PERSONAL.

143
00:04:53,668 --> 00:04:55,962
AND IT'S HALL COP
TO YOU.

144
00:04:57,005 --> 00:04:58,965
"SHADOWS LIVING
IN DARKNESS,

145
00:04:59,048 --> 00:05:00,675
STILTED STILLNESS.

146
00:05:00,758 --> 00:05:02,427
CAN IT BE THAT
THE TRUTH IS A LIE?

147
00:05:02,510 --> 00:05:04,887
OH, THE TANGLE
OF TANGLES

148
00:05:04,971 --> 00:05:07,056
AS MY SOUL CRIES OUT."

149
00:05:08,141 --> 00:05:09,475
S-SO, WHAT DO YOU THINK?

150
00:05:09,517 --> 00:05:10,518
PRETTY OFF THE
HOOK, RIGHT?

151
00:05:10,601 --> 00:05:11,853
Sadie: [ Voiceover ]
IS HE KIDDING?

152
00:05:11,936 --> 00:05:14,022
"MY SOUL CRIES OUT"?

153
00:05:14,105 --> 00:05:16,607
OPERATION FRIENDSHIP WILL
BE OVER BEFORE IT STARTS

154
00:05:16,691 --> 00:05:17,817
IF I TELL HIM THE TRUTH.

155
00:05:17,900 --> 00:05:20,361
WELL, I THOUGHT THE
FIRST 10 MINUTES

156
00:05:20,445 --> 00:05:22,739
WERE A LITTLE... DARK.

157
00:05:22,822 --> 00:05:24,032
BUT THEN YOU REALLY
HIT YOUR STRIDE

158
00:05:24,115 --> 00:05:24,824
AT THE HALF
HOUR POINT.

159
00:05:24,907 --> 00:05:27,035
ALL IN ALL,
A GREAT FIRST PASS.

160
00:05:27,118 --> 00:05:27,994
FIRST PASS?

161
00:05:28,077 --> 00:05:29,954
I SPENT ALL OF FRENCH
CLASS WORKING ON THIS.

162
00:05:30,038 --> 00:05:31,914
WELL, THAT EXPLAINS
YOUR POP QUIZ SCORE.

163
00:05:31,998 --> 00:05:33,124
ALL RIGHT,
SHAKESPEARE,

164
00:05:33,207 --> 00:05:34,125
WHAT GREAT IDEAS
DO YOU HAVE?

165
00:05:34,208 --> 00:05:36,044
UM...

166
00:05:36,127 --> 00:05:37,920
WHY DON'T YOU WRITE
FROM YOUR HEART
AND NOT YOUR HEAD?

167
00:05:38,004 --> 00:05:40,590
LOOK, I'M NOT DUMBING
DOWN MY POEM, RED.

168
00:05:40,673 --> 00:05:42,050
IF YOU CAN'T
APPRECIATE IT
FOR WHAT IT IS,

169
00:05:42,133 --> 00:05:44,552
I'M SURE POETRY LOVERS
AT THE WOW WILL.

170
00:05:46,929 --> 00:05:48,973
PLEASE TELL ME
YOU'RE NOT GOING TO
WEAR THE TURTLENECK.

171
00:05:52,060 --> 00:05:53,102
HEY, SOME
NINTH GRADER

172
00:05:53,186 --> 00:05:54,812
WANTS HIS SWEATY
GYM SHIRT BACK.

173
00:05:54,896 --> 00:05:56,272
I'VE GOT YOU TO
THANK FOR THIS.

174
00:05:56,355 --> 00:05:59,025
HEY, DON'T BLAME ME
'CAUSE YOU RAIDED
THE LOST AND FOUND
FOR YOUR GET UP.

175
00:05:59,108 --> 00:06:00,818
NO, IT'S HALL COP.

176
00:06:00,902 --> 00:06:02,904
HE'S ACTUALLY
ENFORCING THE "NO
BELLY SHIRT" RULE.

177
00:06:02,987 --> 00:06:04,363
AND HOW IS
THIS MY FAULT?

178
00:06:04,447 --> 00:06:05,865
IF YOU DIDN'T GET HIM
FIRED FROM THE MALL,

179
00:06:05,948 --> 00:06:08,409
HE WOULDN'T BE
WORKING HERE.

180
00:06:08,493 --> 00:06:09,410
Rain:
IF I WERE YOU,

181
00:06:09,494 --> 00:06:11,079
I'D KEEP A LOW
PROFILE TODAY.

182
00:06:11,162 --> 00:06:12,830
MALL COP'S ON A RAMPAGE.

183
00:06:12,914 --> 00:06:15,041
[ Cell phone ♪♪♪ ]

184
00:06:15,124 --> 00:06:16,042
Mall Cop:
WHOSE IS THAT?

185
00:06:16,084 --> 00:06:18,711
UH, IT'S...
MY... PACEMAKER.

186
00:06:18,753 --> 00:06:20,505
Mall Cop:
I'LL TAKE THAT.
NO CELL PHONES.

187
00:06:20,588 --> 00:06:21,714
[ Groan ]

188
00:06:21,798 --> 00:06:23,841
BUT I'M WAITING
FOR A CALL FROM
MY GIRLFRIEND.

189
00:06:23,925 --> 00:06:25,051
[ Scoffing ]
YOU'VE GOT
A GIRLFRIEND?

190
00:06:25,134 --> 00:06:27,053
Hal andamp;amp; Margaret:
[ Laughing ]

191
00:06:29,472 --> 00:06:30,556
[ Sigh ]

192
00:06:32,517 --> 00:06:34,727
WOW, THE TX 9800,

193
00:06:34,769 --> 00:06:35,812
THE ONE WITH
THE CAMERA.

194
00:06:35,895 --> 00:06:38,022
HALL COP LIKE-Y.

195
00:06:38,106 --> 00:06:39,899
SMILE!

196
00:06:39,941 --> 00:06:41,859
GREAT SHOT OF YOU
GETTING YOUR PHONE
CONFISCATED.

197
00:06:41,943 --> 00:06:45,238
[ ♪♪♪ ]

198
00:06:45,279 --> 00:06:47,448
Rain:
LET'S HEAR IT
FOR FRED!

199
00:06:50,243 --> 00:06:51,702
I DON'T WANT
TO SOUND MEAN,

200
00:06:51,786 --> 00:06:53,121
BUT BEN'S POETRY
IS TERRIBLE.

201
00:06:53,204 --> 00:06:55,039
THEN YOU SHOULD
PROBABLY STOP
SAYING THINGS

202
00:06:55,123 --> 00:06:57,083
LIKE, "BEN'S POETRY
IS TERRIBLE."

203
00:06:57,166 --> 00:06:59,085
I JUST DON'T WANT HIM
TO EMBARRASS HIMSELF
IN FRONT OF EVERYONE.

204
00:06:59,127 --> 00:07:01,462
Fred:
DELICIOUS PORK...

205
00:07:01,546 --> 00:07:02,630
[ Drumming ]

206
00:07:02,713 --> 00:07:04,590
ON THE END OF MY FORK.

207
00:07:04,674 --> 00:07:05,967
[ Drumming ]

208
00:07:06,050 --> 00:07:07,969
YOU'RE SO TASTY.

209
00:07:08,052 --> 00:07:09,178
THAT'S WHY I'M HASTY.

210
00:07:09,262 --> 00:07:10,680
[ Drumming ]

211
00:07:11,556 --> 00:07:12,932
[ Chuckling ]
[ Snapping of fingers ]

212
00:07:13,015 --> 00:07:14,016
LIKE THAT.

213
00:07:14,100 --> 00:07:15,101
Taylor:
TELL IT LIKE
IT IS, MAN!

214
00:07:15,184 --> 00:07:16,727
IT'S ABOUT TIME.
SOMEBODY HAD
TO SAY IT.

215
00:07:16,811 --> 00:07:17,645
CAN YOU HEAR ME
IN THE BACK?

216
00:07:17,728 --> 00:07:19,188
Rain:
I NEVER SHOULD HAVE
PROGRAMMED FRED

217
00:07:19,272 --> 00:07:20,898
AFTER RUN E.X.E.

218
00:07:20,982 --> 00:07:22,191
HE'S A TOUGH
ACT TO FOLLOW.

219
00:07:24,152 --> 00:07:25,653
Fred:
NOW, FOR MY NEXT PIECE...

220
00:07:25,736 --> 00:07:27,196
[ Squeal of feedback ]

221
00:07:27,280 --> 00:07:28,948
AHEM. UH,
EVERYONE,

222
00:07:29,031 --> 00:07:30,825
LET'S GIVE A NICE
HAND FOR FRED,

223
00:07:30,908 --> 00:07:32,451
WHO REALLY KNOWS
HOW TO SLAM IT.

224
00:07:34,245 --> 00:07:37,206
UH, NEXT UP, WE HAVE
A BRILLIANT WORDSMITH...

225
00:07:37,290 --> 00:07:38,791
NOT AS GOOD
AS YOU, RUN...

226
00:07:38,875 --> 00:07:41,127
MY GOOD...
NO, BEST FRIEND,

227
00:07:41,169 --> 00:07:42,587
BEN HARRISON.

228
00:07:42,670 --> 00:07:44,630
[ Applause ]

229
00:07:48,885 --> 00:07:50,178
THANK YOU.

230
00:07:52,013 --> 00:07:55,516
SHE LEFT ME BEFORE
WE EVEN STARTED.

231
00:07:55,600 --> 00:07:57,643
I WAS SHATTERED,
SO BROKEN-HEARTED.

232
00:07:57,685 --> 00:07:58,895
HE TOOK MY ADVICE.

233
00:07:58,978 --> 00:08:00,104
TO WRITE ABOUT YOU?

234
00:08:00,188 --> 00:08:02,273
TO WRITE FROM
THE HEART.
IT'S NOT ME.

235
00:08:02,356 --> 00:08:03,941
I BET IT'S ABOUT HIS
OLD GIRLFRIEND, HEIDI.

236
00:08:04,025 --> 00:08:06,152
IT WAS LIKE GETTING
KICKED IN THE HEAD.

237
00:08:06,235 --> 00:08:07,778
HOW COULD YOU DO
THIS TO ME, RED?

238
00:08:07,862 --> 00:08:09,572
[ Gasp ]
COOL.

239
00:08:09,655 --> 00:08:11,032
HEIDI HAS THE SAME
NICKNAME AS YOU.

240
00:08:11,115 --> 00:08:13,618
IN FRONT OF YOUR
FAMILY AT DINNER.

241
00:08:13,701 --> 00:08:16,162
NOW I'M THE LOSER

242
00:08:16,245 --> 00:08:17,330
AND YOU'RE THE WINNER.

243
00:08:17,371 --> 00:08:19,707
WHERE DOES HE GET
HIS INSPIRATION?

244
00:08:19,790 --> 00:08:22,210
FOR TWO WEEKS
SHE WAS MY LADY,

245
00:08:22,293 --> 00:08:24,253
BUT IN THE END

246
00:08:24,337 --> 00:08:26,839
SHE ACTED SO SHADY.

247
00:08:26,881 --> 00:08:30,051
LIFE'S NOT FAIR,
IT WOULD SEEM SO.

248
00:08:30,134 --> 00:08:31,636
NOW IT'S TIME FOR ME
TO SAY...

249
00:08:34,013 --> 00:08:34,931
CHIMO.

250
00:08:36,349 --> 00:08:38,518
[ Sparse applause ]

251
00:08:44,941 --> 00:08:46,692
I CAN'T BELIEVE
YOU'D WRITE ABOUT
OUR BREAK-UP.

252
00:08:46,734 --> 00:08:48,778
I THOUGHT WE
WERE PAST THAT.
SO DID I.

253
00:08:48,861 --> 00:08:50,196
GUESS WE WERE
BOTH WRONG.

254
00:08:50,238 --> 00:08:51,739
DO YOU REALLY FEEL
LIKE THE LOSER?

255
00:08:51,822 --> 00:08:53,074
OF COURSE NOT.

256
00:08:53,157 --> 00:08:54,325
IT'S CALLED AN
ARTISTIC LICENSE.

257
00:08:54,408 --> 00:08:57,161
I JUST WANTED TO CAPTURE
THE UNIVERSAL FEELINGS
OF THE DUMPED.

258
00:08:57,245 --> 00:09:00,164
NEVER THOUGHT I'D SEE
YOU TWO TOGETHER AGAIN.

259
00:09:01,958 --> 00:09:03,668
UH, DEEP POEM,
BY THE WAY.

260
00:09:03,751 --> 00:09:04,794
SO, YOU DOING
ANOTHER POETRY NIGHT?

261
00:09:04,877 --> 00:09:07,296
NO, MAN, AUDIENCES
DON'T CARE ABOUT POETRY.

262
00:09:07,380 --> 00:09:08,548
RAP IS WHERE
IT'S AT.

263
00:09:08,631 --> 00:09:10,132
I'VE BOOKED
RUN E.X.E.

264
00:09:10,216 --> 00:09:12,176
YOU GUYS GOING
TO CHECK IT?
SURE,

265
00:09:12,260 --> 00:09:13,886
IF I DON'T HAVE TO
HEAR ABOUT ME AGAIN.

266
00:09:13,970 --> 00:09:15,179
MY LIFE IS MY ART.

267
00:09:15,263 --> 00:09:16,347
YOU SHOULD KNOW
THAT ABOUT WRITERS.

268
00:09:16,430 --> 00:09:18,224
WE DRAW ON PAST
EXPERIENCES.

269
00:09:18,266 --> 00:09:20,309
BUT YOU'RE DONE
DRAWING FROM MY
EXPERIENCES, RIGHT?

270
00:09:20,393 --> 00:09:22,144
I PROMISE I'LL NEVER
WRITE ABOUT YOU AGAIN.

271
00:09:22,228 --> 00:09:23,854
NEXT TIME,
I'LL MIME IT.

272
00:09:23,938 --> 00:09:33,906
[ ♪♪♪ ]

273
00:09:36,117 --> 00:09:38,577
Rain:
SO, WHAT'S THE PLAN
FOR HALL COP?

274
00:09:38,661 --> 00:09:39,870
ARE YOU GOING
TO APOLOGIZE FOR
GETTING HIM FIRED?

275
00:09:39,954 --> 00:09:41,247
THAT'S A PLAN.
DON'T WORRY,

276
00:09:41,330 --> 00:09:42,707
I'VE GOT IT ALL
FIGURED OUT.

277
00:09:42,790 --> 00:09:44,041
I PRANKED HIM OUT
OF THE MALL,

278
00:09:44,125 --> 00:09:45,001
I CAN PRANK HIM OUT HERE.

279
00:09:45,084 --> 00:09:47,336
SINCE WHEN DO
WE HAVE A COTTON
CANDY MACHINE?

280
00:09:47,420 --> 00:09:49,589
HA-HA!
I'M USING A CLASSIC:

281
00:09:49,672 --> 00:09:51,048
THE OLD FIZZ BOMB
IN THE DRINK.

282
00:09:51,132 --> 00:09:52,300
A WHAT-BOMB?
A FIZZ BOMB.

283
00:09:52,383 --> 00:09:54,760
YOU PLANT ONE IN
SOMEONE'S DRINK WHEN
THEY'RE NOT LOOKING

284
00:09:54,844 --> 00:09:56,846
AND THEN BAM!
SPRAY CITY.

285
00:09:56,929 --> 00:09:58,931
SOUNDS TIGHT.
I AMAZE MYSELF.

286
00:09:59,015 --> 00:09:59,890
SOMEDAY THEY MIGHT
JUST GIVE ME

287
00:09:59,974 --> 00:10:01,267
THE NOBEL PRANK PRIZE.

288
00:10:01,350 --> 00:10:02,643
I ACCEPT.

289
00:10:02,727 --> 00:10:03,728
YES, THANK YOU.

290
00:10:03,811 --> 00:10:05,062
THIS IS WONDERFUL.

291
00:10:05,146 --> 00:10:05,771
IT'S BEAUTIFUL.

292
00:10:05,813 --> 00:10:07,231
I JUST...
LOOKING FOR THIS?

293
00:10:07,315 --> 00:10:08,274
AHH-H!

294
00:10:08,357 --> 00:10:09,317
Hal:
MY FIZZ BOMB!

295
00:10:09,400 --> 00:10:11,068
HOW DID YOU...
IT'S A BIG MALL,

296
00:10:11,152 --> 00:10:13,029
BUT A SMALL SCHOOL.

297
00:10:13,112 --> 00:10:15,615
IT'S... BUT IT'S NOT
THAT SMALL OF A SCHOOL.

298
00:10:15,698 --> 00:10:24,832
[ ♪♪♪ ]

299
00:10:24,915 --> 00:10:26,042
I CAN'T BELIEVE THE
WHOLE WORLD KNOWS

300
00:10:26,125 --> 00:10:27,168
HOW I BROKE UP
WITH BEN.

301
00:10:27,251 --> 00:10:28,294
DIAL BACK THE
DRAMA, SADE.

302
00:10:28,336 --> 00:10:29,378
IT WASN'T
THAT BAD.

303
00:10:29,462 --> 00:10:31,672
IT WAS THE MOST
EMBARRASSING MOMENT
EVER AT THE WOW.

304
00:10:31,756 --> 00:10:32,965
WHAT ABOUT LAST YEAR?

305
00:10:33,007 --> 00:10:34,884
THAT WAS WAY MORE
EMBARRASSING.

306
00:10:34,967 --> 00:10:36,969
WELCOME TO THE WOW'S
FIRST ANNUAL

307
00:10:37,053 --> 00:10:39,055
COCKROACH RACING
EXTRAVAGANZA.

308
00:10:39,138 --> 00:10:42,350
[ ♪♪♪ ]

309
00:10:42,433 --> 00:10:43,309
THEY'RE GONE.

310
00:10:43,392 --> 00:10:45,394
[ Circus ♪♪♪ ]

311
00:10:48,022 --> 00:10:49,023
I MEANT
EMBARRASSING FOR ME.

312
00:10:49,106 --> 00:10:50,316
LET IT GO.

313
00:10:50,358 --> 00:10:51,984
HARDLY ANYONE
HEARD BEN'S POEM.

314
00:10:52,068 --> 00:10:52,985
YOU'RE PROBABLY RIGHT.

315
00:10:53,027 --> 00:10:54,153
IT WASN'T THAT
MANY PEOPLE.

316
00:10:54,236 --> 00:10:55,821
AND THE POEM
WAS ABOUT YOU.

317
00:10:55,863 --> 00:10:57,698
MOST PEOPLE
DON'T EVEN KNOW
WHO YOU ARE.

318
00:10:57,782 --> 00:10:59,283
NOT THE SUPPORT
I WAS LOOKING FOR,

319
00:10:59,367 --> 00:11:00,993
BUT THANKS ANYWAY.
FINE.

320
00:11:01,077 --> 00:11:02,453
IF YOU WANT
THIS TO GO AWAY,

321
00:11:02,536 --> 00:11:03,871
ALL YOU HAVE TO
DO IS IMPLEMENT

322
00:11:03,954 --> 00:11:05,664
THE "I MEANT TO
DO THAT" RULE.

323
00:11:05,748 --> 00:11:07,375
THE "I MEANT TO
DO THAT" RULE.
YEAH.

324
00:11:07,458 --> 00:11:10,211
LIKE WHEN YOU
ACCIDENTALLY FALL
IN FRONT OF EVERYONE.

325
00:11:10,294 --> 00:11:12,004
IF YOU ACT ALL
EMBARRASSED ABOUT IT,

326
00:11:12,088 --> 00:11:13,297
PEOPLE WILL
LAUGH AT YOU.

327
00:11:13,381 --> 00:11:16,175
IF YOU OWN IT AND SAY
"I MEANT TO DO THAT,"

328
00:11:16,217 --> 00:11:18,010
PEOPLE WILL THINK
YOU'RE A GOOD SPORT.

329
00:11:18,052 --> 00:11:20,096
SO, YOU'RE SAYING
THAT I SHOULD
TELL EVERYONE

330
00:11:20,179 --> 00:11:22,723
THAT I MEANT TO DUMP
BEN IN FRONT OF
MY ENTIRE FAMILY,

331
00:11:22,807 --> 00:11:24,350
SENDING HIM ON
A DOWNWARD SPIRAL

332
00:11:24,433 --> 00:11:26,477
AND MAKING OUR
RELATIONSHIP
TERMINALLY AWKWARD?

333
00:11:26,560 --> 00:11:27,895
WOW.

334
00:11:27,978 --> 00:11:30,189
IT SOUNDED A LOT
BETTER ON PAPER,
DIDN'T IT?

335
00:11:41,075 --> 00:11:43,077
HALL COP.
STUDENT 9818.

336
00:11:43,160 --> 00:11:44,870
WOW, YOU'VE MEMORIZED
MY STUDENT I.D.

337
00:11:44,912 --> 00:11:46,122
IMPRESSIVE.
THAT'S MY JOB.

338
00:11:46,205 --> 00:11:47,123
I'M A HALL COP.

339
00:11:49,166 --> 00:11:51,210
WORD IS YOU DON'T
LIKE CAFETERIA FOOD.

340
00:11:51,252 --> 00:11:53,045
YOU GOT THAT
RIGHT, JACK.

341
00:11:53,087 --> 00:11:54,046
MY SOURCES TELL ME

342
00:11:54,088 --> 00:11:55,131
YOU GOT A THING
FOR MALL FOOD.

343
00:11:55,214 --> 00:11:56,215
YOUR SOURCES ARE RIGHT.

344
00:11:56,257 --> 00:11:58,134
SPICY THAI,
CRISPY CHICKEN,

345
00:11:58,217 --> 00:11:59,260
TANGY PIZZA,
LEAFY GREENS.

346
00:11:59,343 --> 00:12:00,261
YOU LIKE IT ALL.

347
00:12:00,344 --> 00:12:01,137
TRUE ENOUGH,

348
00:12:01,220 --> 00:12:02,930
BUT THERE'S ONE THING
I LIKE THE MOST.

349
00:12:03,013 --> 00:12:03,973
AND WHAT'S THAT?

350
00:12:04,056 --> 00:12:06,475
GIANT, TASTY
MALL COOKIES.

351
00:12:08,102 --> 00:12:09,061
WELL, WELL, WELL,

352
00:12:09,145 --> 00:12:10,062
WHAT A COINCIDENCE.

353
00:12:10,146 --> 00:12:11,981
LOOK WHAT I HAVE
RIGHT HERE.

354
00:12:12,064 --> 00:12:14,024
AND THERE'S PLENTY MORE
WHERE IT CAME FROM.

355
00:12:17,027 --> 00:12:18,112
LET ME GET THIS STRAIGHT.

356
00:12:18,195 --> 00:12:20,531
YOU SLIP ME A GIANT,
TASTY MALL COOKIE

357
00:12:20,614 --> 00:12:21,407
AND I LET UP ON YOU.

358
00:12:21,449 --> 00:12:24,034
YEAH, SOMETHING
LIKE THAT.
SORRY, KID.

359
00:12:24,118 --> 00:12:25,244
HALL COP DOESN'T
WORK LIKE THAT.

360
00:12:25,286 --> 00:12:27,037
UH, OF COURSE
HE DOESN'T.

361
00:12:27,121 --> 00:12:29,123
I JUST THOUGHT
YOU MIGHT WANT
TO EAT SOMETHING

362
00:12:29,206 --> 00:12:32,084
WHILE YOU READ THESE.

363
00:12:32,126 --> 00:12:33,419
CIRCLED A BUNCH
OF JOBS.

364
00:12:33,461 --> 00:12:35,880
BETTER PAY,
CLASSIER UNIFORMS.

365
00:12:35,963 --> 00:12:36,881
NO ME.

366
00:12:38,174 --> 00:12:39,383
THIS IS
A SWEET GIG.

367
00:12:39,467 --> 00:12:41,969
SHORTER HOURS,
SUMMERS OFF.

368
00:12:42,052 --> 00:12:43,262
HALL COP'S HERE TO STAY.

369
00:12:50,019 --> 00:12:51,020
WANT SOME MILK
WITH THAT?

370
00:12:51,103 --> 00:12:52,480
NO, I'M GOOD.

371
00:13:04,408 --> 00:13:05,284
HI.

372
00:13:05,326 --> 00:13:08,120
I SHOULDN'T HAVE
WRITTEN ABOUT
OUR BREAK-UP.

373
00:13:08,204 --> 00:13:09,997
IT WASN'T THE WRITING
THAT BOTHERED ME SO MUCH.

374
00:13:10,080 --> 00:13:12,041
IT WAS MORE...
THE READING.

375
00:13:12,124 --> 00:13:13,501
AND THE OVATION
YOU GOT.

376
00:13:13,584 --> 00:13:15,794
AND THE REQUEST
FOR A BOOK TOUR.
I KNOW.

377
00:13:15,878 --> 00:13:17,463
BUT THIS IS
YOUR FAULT.

378
00:13:17,505 --> 00:13:18,464
YOU DID SAY WRITE
FROM THE HEART.

379
00:13:18,506 --> 00:13:20,966
IT SEEMED MORE LIKE IT
CAME FROM YOUR SPLEEN.

380
00:13:21,008 --> 00:13:22,301
ANYWAY, THANKS.

381
00:13:22,384 --> 00:13:25,304
FOR WHAT?
FOR HELPING ME
GET OVER YOU.

382
00:13:25,346 --> 00:13:27,264
WRITING THAT POEM GOT
YOU OUT OF MY SYSTEM.

383
00:13:28,557 --> 00:13:31,143
Sadie: [ Voiceover ]
WOW. I HELPED BEN SO
WE COULD BECOME CLOSER,

384
00:13:31,227 --> 00:13:33,187
BUT ALL I DID WAS
DRIVE HIM AWAY.

385
00:13:33,270 --> 00:13:35,314
THAT'S POETIC JUSTICE.

386
00:13:35,356 --> 00:13:37,483
PSSSTT.
OVER HERE.

387
00:13:37,525 --> 00:13:39,109
TAYLOR?

388
00:13:39,193 --> 00:13:41,987
DON'T YOU TOTALLY LOVE MY
BENNETT STUDENT DISGUISE?

389
00:13:42,029 --> 00:13:43,155
IT'S JEANS
AND A T-SHIRT.

390
00:13:43,197 --> 00:13:43,989
I KNOW.

391
00:13:44,073 --> 00:13:46,575
YOU GUYS REALLY HAVE
TO AMP UP YOUR LOOK.

392
00:13:46,659 --> 00:13:48,911
DID YOU KNOW
HALL COP'S OLD
BOSS AT THE MALL

393
00:13:48,994 --> 00:13:50,162
IS WALKING
THE BEAT NOW?
OH, YEAH, YEAH.

394
00:13:50,246 --> 00:13:51,831
MALL BOSS. BIG
GUY WITH A BEARD.

395
00:13:51,914 --> 00:13:52,790
ALWAYS A LITTLE
SLOW OFF THE MARK.

396
00:13:52,873 --> 00:13:55,209
UGH. ALL I KNOW
IS HE'S DRIVING
ME INSANE.

397
00:13:55,292 --> 00:13:57,002
HE SHOWS UP EVERY DAY
AT THE SAME TIME

398
00:13:57,086 --> 00:13:58,128
AND ORDERS ME AROUND.

399
00:13:58,212 --> 00:14:00,923
"CLEAN THE COUNTER.
MAKE MY SASKATOON
BERRY SMOOTHIE.

400
00:14:01,006 --> 00:14:02,424
RETURN THE PYTHON
TO THE PET SHOP."

401
00:14:02,508 --> 00:14:03,634
BLAH, BLAH, BLAH.

402
00:14:03,717 --> 00:14:05,010
WHAT DOES THIS HAVE
TO DO WITH ME?

403
00:14:05,094 --> 00:14:07,012
HUH! NONE OF THIS
WOULD HAVE HAPPENED

404
00:14:07,096 --> 00:14:09,014
IF YOU DIDN'T
GET HALL COP FIRED.

405
00:14:09,098 --> 00:14:10,850
WHAT DO YOU
EXPECT ME TO
DO, OKAY?

406
00:14:10,933 --> 00:14:12,017
I'VE TRIED EVERYTHING.

407
00:14:12,059 --> 00:14:14,019
I'VE TRIED BRIBING,
I'VE TRIED PRANKING.

408
00:14:14,061 --> 00:14:15,354
I'VE EVEN TRIED GETTING
HIM ANOTHER JOB.

409
00:14:17,273 --> 00:14:18,315
HALL COP'S NOT
GOING ANYWHERE.

410
00:14:18,399 --> 00:14:19,608
IT'S HOPELESS.

411
00:14:19,692 --> 00:14:21,318
MAYBE YOU SHOULD
TRY THE OBVIOUS.

412
00:14:21,402 --> 00:14:24,071
NO, EVEN I CAN'T
SUPPORT FALSE
IMPRISONMENT.

413
00:14:24,154 --> 00:14:25,948
TALK TO HIM!

414
00:14:26,031 --> 00:14:27,241
[ Gasp ]
WHOA.

415
00:14:27,324 --> 00:14:29,034
GOT TO JET.
IF YOU SEE RAIN,

416
00:14:29,076 --> 00:14:30,119
KISS HIM FOR ME.

417
00:14:30,202 --> 00:14:31,954
YEAH, WHATEVER.
HALT!

418
00:14:32,997 --> 00:14:33,956
I MEAN NO!

419
00:14:34,039 --> 00:14:36,166
[ Drumbeats ]

420
00:14:36,250 --> 00:14:37,418
WASSUP.

421
00:14:37,501 --> 00:14:39,211
WASSUP.

422
00:14:39,295 --> 00:14:41,130
WASSUP UP WITH
THAT, DAWG?

423
00:14:41,213 --> 00:14:43,340
[ Rapping ]
♪ YOU SCARF YOUR
DINNER LIKE A HOG ♪

424
00:14:43,424 --> 00:14:46,135
♪ YOU DIDN'T EVEN
LEAVE A TIP ♪

425
00:14:46,218 --> 00:14:48,178
♪ THAT IS BAD,
TOTALLY UNHIP ♪

426
00:14:48,262 --> 00:14:51,390
[ Sparse applause ]
Taylor:
FRED! WHOO!

427
00:14:51,432 --> 00:14:52,933
WHAT IS WRONG
WITH YOU PEOPLE?

428
00:14:53,017 --> 00:14:54,643
THE MAN'S A GENIUS.

429
00:14:54,727 --> 00:14:56,687
[ Clearing of throat ]
THANK YOU, FRED.

430
00:14:56,770 --> 00:15:00,232
UH, FRED'S CD MAKES
AN EXCELLENT GIFT.

431
00:15:00,274 --> 00:15:01,233
OR A COASTER.

432
00:15:01,275 --> 00:15:02,359
[ Chuckling ]
AND NOW

433
00:15:02,443 --> 00:15:04,236
FOR OUR FINAL ACT
OF THE EVENING.

434
00:15:04,278 --> 00:15:06,238
LADIES AND GENTLEMEN,
MAKE IT REAL

435
00:15:06,322 --> 00:15:08,407
FOR THE MAESTRO
OF THE MIXES,

436
00:15:08,449 --> 00:15:10,075
THE BEAST OF BEATS,

437
00:15:10,159 --> 00:15:11,285
THE MASTER
OF THE MIKE.

438
00:15:11,368 --> 00:15:13,954
GIVE IT UP, YO,
FOR RUN E.X.E.!

439
00:15:14,038 --> 00:15:15,247
[ Applause ]

440
00:15:15,289 --> 00:15:17,416
Sadie: [ Voiceover ]
THIS SHOULD BE GOOD.
A NIGHT OF ENTERTAINMENT

441
00:15:17,499 --> 00:15:20,085
WITH NO ALANIS-LIKE RANTS
ON MY RELATIONSHIP.

442
00:15:20,169 --> 00:15:20,961
YO! WORD UP!

443
00:15:21,045 --> 00:15:23,213
THIS BE A SHOUT OUT
TO A LITTLE LADY.

444
00:15:23,297 --> 00:15:24,965
A SPECIAL LITTLE
LADY NAMED RED.

445
00:15:25,049 --> 00:15:26,216
Run E.X.E.:
YEAH.
I GUESS RUN E.X.E.

446
00:15:26,300 --> 00:15:27,426
DATED THAT
HEIDI GIRL, TOO.

447
00:15:27,468 --> 00:15:29,136
♪ ...STARTED,
I WAS SHATTERED ♪

448
00:15:29,219 --> 00:15:30,596
♪ AND SO BROKEN-HEARTED ♪

449
00:15:30,679 --> 00:15:32,264
FIRST BEN,
NOW RUN.

450
00:15:32,306 --> 00:15:34,183
HOW MANY GUYS DID
THIS GIRL DUMP?

451
00:15:34,266 --> 00:15:36,477
YEAH, UH!

452
00:15:36,560 --> 00:15:39,355
♪ YO, IT WAS LIKE GETTING
KICKED IN THE HEAD ♪

453
00:15:39,438 --> 00:15:40,648
Sadie: [ Voice over ] PLEASE DON'T
LET THEM THINK

454
00:15:40,731 --> 00:15:42,441
HE'S RAPPING ABOUT ME.

455
00:15:42,524 --> 00:15:44,193
Run E.X.E.:
YOU KNOW HOW WE DO IT.

456
00:15:44,276 --> 00:15:45,277
COME ON, Y'ALL.

457
00:15:45,361 --> 00:15:47,279
PUT YOUR HANDS
IN THE AIR!

458
00:15:47,321 --> 00:15:48,113
YEAH!

459
00:15:48,197 --> 00:15:51,283
LET ME HEAR YOU SAY
SA-A-AY-DEE! UH!

460
00:15:51,367 --> 00:15:53,369
Crowd:
SA-A-AY-DEE!

461
00:15:53,452 --> 00:15:55,287
Sadie: [ Voiceover ]
I THINK THEY'VE
FIGURED IT OUT.

462
00:15:55,371 --> 00:15:57,498
♪ SHADY SADIE,
SHE AIN'T NO LADY ♪

463
00:15:57,581 --> 00:15:59,083
♪ SHADY SADIE... ♪

464
00:15:59,166 --> 00:16:00,751
RAISE THE ROOF,
SADIE!

465
00:16:00,834 --> 00:16:02,378
♪ SAY-DEE ♪

466
00:16:03,504 --> 00:16:05,297
Crowd:
SA-A-AY-DEE!

467
00:16:08,175 --> 00:16:10,010
I'M TELLING YOU
THE SAME THING
I TOLD YOU LAST NIGHT:

468
00:16:10,094 --> 00:16:11,136
I HAD NOTHING
TO DO WITH IT.

469
00:16:11,220 --> 00:16:12,054
SO, HE JUST
RIPPED OFF
YOUR POEM?

470
00:16:12,137 --> 00:16:14,014
I BELIEVE THE INDUSTRY
CALLS IT "SAMPLING".

471
00:16:14,098 --> 00:16:15,391
IT'S A LEGITIMATE
ARTISTIC DEVICE.

472
00:16:15,474 --> 00:16:16,600
WELL, WHAT ARE YOU
GOING TO DO ABOUT IT?

473
00:16:16,684 --> 00:16:18,310
WHAT DO YOU WANT
ME TO DO ABOUT IT?

474
00:16:18,394 --> 00:16:21,230
♪ SHADY SADIE,
SHE AIN'T NO LADY ♪

475
00:16:21,313 --> 00:16:23,399
PUT AN END
TO THAT.

476
00:16:23,482 --> 00:16:24,817
THE SHOUT-OUTS ARE EVEN
WORSE THAN THE POEM.

477
00:16:24,858 --> 00:16:26,485
HEY, MY REVIEWS
WERE PRETTY GOOD.

478
00:16:26,527 --> 00:16:28,153
WE'RE TALKING
ABOUT SADIE NOW.

479
00:16:28,237 --> 00:16:29,321
WHICH REMINDS ME.

480
00:16:29,363 --> 00:16:31,323
CAN I RECORD A LOOP
OF YOUR NAME FOR
RUN E.X.E.?

481
00:16:31,407 --> 00:16:33,367
HE LOVES MY VOICE.

482
00:16:33,450 --> 00:16:35,369
WHAT? I'M SORRY,
I HAD TO ASK.

483
00:16:35,452 --> 00:16:36,453
I DIDN'T WANT
TO OFFEND RUN.

484
00:16:36,537 --> 00:16:38,455
WELL, I'M GLAD
YOU'RE SO WORRIED
ABOUT HIS FEELINGS.

485
00:16:45,379 --> 00:16:47,089
AREN'T YOU A LITTLE
OLD FOR BALLOONS?

486
00:16:47,172 --> 00:16:48,424
IT'S FOR MY SON.

487
00:16:48,507 --> 00:16:49,383
WAIT, YOU'VE
GOT A KID?

488
00:16:49,466 --> 00:16:51,176
IS IT THAT HARD
TO IMAGINE?

489
00:16:51,260 --> 00:16:52,511
WELL, YEAH.
I MEAN,

490
00:16:52,553 --> 00:16:54,346
I'VE NEVER REALLY
THOUGHT OF YOU
OUTSIDE THE MALL

491
00:16:54,388 --> 00:16:56,140
OR THE SCHOOL OR
ANYWHERE, REALLY.

492
00:16:56,223 --> 00:16:58,350
A MAN'S GOT
A JOB TO DO AND
MOUTHS TO FEED.

493
00:16:58,434 --> 00:17:00,644
YOU THINK HALL COP
LIKES PLAYING
THE HEAVY?

494
00:17:00,728 --> 00:17:02,646
UH, YEAH,
I KIND OF DO.

495
00:17:02,730 --> 00:17:04,440
I USED TO KNOW
SOMEONE LIKE YOU.

496
00:17:04,523 --> 00:17:06,525
A REGULAR
GOOD-TIME CHARLIE.

497
00:17:06,608 --> 00:17:09,403
LIFE WAS ABOUT
FUN TIMES AND PRANKS.

498
00:17:09,486 --> 00:17:11,238
SOUNDS LIKE
A PRETTY COOL GUY.

499
00:17:11,321 --> 00:17:12,448
IS HE STILL AROUND?

500
00:17:13,824 --> 00:17:15,451
WHOA.

501
00:17:15,534 --> 00:17:17,244
THE RED
STOP BUTTON.

502
00:17:17,327 --> 00:17:18,287
YOU'RE THE
PRANKINATOR?

503
00:17:18,370 --> 00:17:19,580
I WAS THE
PRANKINATOR.

504
00:17:19,663 --> 00:17:22,332
THEN I GREW UP, GOT
RESPONSIBILITIES.

505
00:17:22,416 --> 00:17:23,709
SOME DAY YOU'LL
KNOW WHAT I MEAN.

506
00:17:23,792 --> 00:17:26,378
LISTEN TO ME NOW
AND SAVE YOURSELF
HEARTACHE LATER.

507
00:17:26,420 --> 00:17:27,838
LEARN FROM
MY EXPERIENCE.

508
00:17:27,921 --> 00:17:29,631
SORRY, MALL COP,

509
00:17:29,715 --> 00:17:31,717
BUT LIFE WITHOUT PRANKS
ISN'T WORTH LIVING.

510
00:17:31,800 --> 00:17:33,635
GOOD LUCK WITH
PRANK NUMBER 51.

511
00:17:33,719 --> 00:17:35,512
HOPE IT DOESN'T
COST ANYONE ELSE
THEIR JOB.

512
00:17:37,389 --> 00:17:39,475
[ Rapping on headset ]
♪ I SAID SA-A-AY-DEE... ♪

513
00:17:39,558 --> 00:17:41,143
MY LIFE IS OVER.

514
00:17:41,226 --> 00:17:43,228
THAT STUPID SONG
IS EVERYWHERE I GO.

515
00:17:43,312 --> 00:17:45,230
HOW AM I SUPPOSED
TO SHOW MY FACE
AROUND BENNETT?

516
00:17:45,314 --> 00:17:46,440
[ Sigh ]
YOU'RE ALL SENSITIVE

517
00:17:46,523 --> 00:17:48,317
BECAUSE THE SONG
IS ABOUT YOU.

518
00:17:48,400 --> 00:17:49,610
SO YOU JUST THINK YOU
HEAR IT EVERYWHERE.

519
00:17:49,693 --> 00:17:52,154
"SHADY SADIE" IS
NOT THAT POPULAR.

520
00:17:52,237 --> 00:17:55,491
[ Rapping on cell phone ]
♪ SHE LEFT ME BEFORE
WE EVEN STARTED ♪

521
00:17:55,574 --> 00:17:58,452
♪ I WAS SHATTERED,
SO BROKEN-HEARTED ♪

522
00:17:58,535 --> 00:17:59,495
[ Beep of cell phone ]

523
00:18:01,371 --> 00:18:03,248
WELL, IT IS
KIND OF CATCHY.

524
00:18:03,290 --> 00:18:05,626
HEY, I NEED TO
BORROW YOUR PEN.

525
00:18:05,709 --> 00:18:07,211
Girls:
[ Giggling ]

526
00:18:07,294 --> 00:18:08,545
Girl:
GREAT LYRICS, BEN.

527
00:18:08,629 --> 00:18:10,422
HE'S GOT GROUPIES?

528
00:18:10,464 --> 00:18:12,466
BEN'S LYRICS
TOUCHED A CHORD,

529
00:18:12,549 --> 00:18:14,176
ESPECIALLY
WITH GIRLS.

530
00:18:16,261 --> 00:18:18,180
THAT STUPID
"SHADY SADIE" SONG

531
00:18:18,263 --> 00:18:19,431
HAS MARKED ME FOR LIFE.

532
00:18:19,473 --> 00:18:21,391
NO MATTER WHERE I GO,
EVERYBODY WILL KNOW

533
00:18:21,475 --> 00:18:22,893
ABOUT THE HORRIBLE WAY
I BROKE UP WITH BEN.

534
00:18:22,976 --> 00:18:25,312
AND THERE'S NOTHING
I CAN DO ABOUT IT.

535
00:18:26,939 --> 00:18:28,690
MAYBE EVERYONE WILL JUST
GET SICK OF HEARING OF IT.

536
00:18:28,774 --> 00:18:29,858
ARE YOU KIDDING ME?

537
00:18:29,942 --> 00:18:31,902
I HEARD IT'S THE
FIFTH MOST DOWNLOADED
FILE ON THE WEB.

538
00:18:31,985 --> 00:18:33,654
AND RUN E.X.E. IS
GETTING TONNES OF HITS

539
00:18:33,737 --> 00:18:34,780
ON HIS SITE
FOR MY SONG.

540
00:18:34,863 --> 00:18:35,697
"MY" SONG?

541
00:18:35,781 --> 00:18:37,449
YOU'RE RIGHT, IT'S
NOT REALLY MY SONG.

542
00:18:37,533 --> 00:18:39,326
E.X.E.'S ONLY CREDITING
ME WITH LYRICS.

543
00:18:39,409 --> 00:18:41,453
I GUESS I'M MORE
OF A CO-WRITER.

544
00:18:41,537 --> 00:18:43,705
SADE, YOUR ONLY HOPE

545
00:18:43,789 --> 00:18:45,833
IS THAT A BETTER
TUNE CATCHES ON.

546
00:18:45,916 --> 00:18:46,792
Ben:
[ Chuckling ]

547
00:18:46,875 --> 00:18:48,752
I WOULDN'T SAY
A "BETTER" TUNE.

548
00:18:48,836 --> 00:18:50,462
MAYBE "ANOTHER".

549
00:18:50,504 --> 00:18:51,922
IT'S SO GOOD!

550
00:18:52,005 --> 00:18:53,173
[ Sigh ]

551
00:18:53,882 --> 00:18:55,843
[ Cell phone ♪♪♪ ]

552
00:18:55,926 --> 00:18:57,177
I'D BETTER GET THAT.

553
00:18:58,679 --> 00:19:07,229
[ ♪♪♪ ]

554
00:19:07,312 --> 00:19:09,231
THERE'S OUR TARGET
AT 12:00 O'CLOCK.

555
00:19:10,232 --> 00:19:11,358
MY WATCH SAYS 4:30.

556
00:19:12,693 --> 00:19:13,986
NO. NO, MALL BOSS.

557
00:19:14,027 --> 00:19:14,987
HE'S RIGHT THERE.

558
00:19:15,028 --> 00:19:16,613
OH, OKAY.

559
00:19:16,697 --> 00:19:17,823
YOU SURE YOU
WANT TO DO THIS?

560
00:19:17,906 --> 00:19:19,199
IF IT WAS YOUR
PRANK RECORD,

561
00:19:19,283 --> 00:19:20,534
YOU WOULD DO
THE SAME.

562
00:19:20,617 --> 00:19:22,411
IT'S GO TIME.
OKAY.

563
00:19:25,998 --> 00:19:27,749
WE'RE SELLING SMOOTHIE
OPERATOR BUTTONS.

564
00:19:27,833 --> 00:19:29,293
ALL MONEY GOES
TO CHARITY.

565
00:19:29,376 --> 00:19:31,920
[ Clatter of buttons ]
OOH! SORRY.

566
00:19:32,004 --> 00:19:41,972
[ ♪♪♪ ]

567
00:19:42,848 --> 00:19:43,974
FIZZ BOMB.

568
00:19:44,057 --> 00:19:44,933
THE CLASSIC PRANK.

569
00:19:45,017 --> 00:19:47,227
USED IT MYSELF IN '89.

570
00:19:47,311 --> 00:19:47,936
SMOOTHIE!

571
00:19:53,275 --> 00:19:54,985
NOOOOO!

572
00:19:55,068 --> 00:19:56,695
NOT ON MY
WATCH, KID.

573
00:19:56,778 --> 00:19:59,698
YOU DESTROYED
MY PRANK RECORD.

574
00:19:59,740 --> 00:20:01,742
HOPE YOU'RE
HAPPY, HALL COP.

575
00:20:01,825 --> 00:20:03,702
[ Laughing ]

576
00:20:03,785 --> 00:20:05,370
NICE JOB.

577
00:20:05,454 --> 00:20:07,331
JUST A CIVILIAN
DOING HIS CIVIC DUTY.

578
00:20:07,414 --> 00:20:08,957
READY TO GET BACK
INTO ACTION?

579
00:20:09,041 --> 00:20:09,791
WILLING AND
ABLE, SIR.

580
00:20:09,875 --> 00:20:11,627
WE'LL SEE YOU ON
MONDAY, THEN.
OKAY.

581
00:20:11,710 --> 00:20:14,546
WELCOME BACK...
THANK YOU.
MALL COP.

582
00:20:19,927 --> 00:20:21,261
NICE WORK, KID.

583
00:20:21,345 --> 00:20:22,930
YOU WEREN'T SO
BAD YOURSELF.

584
00:20:23,013 --> 00:20:24,389
DOESN'T MEAN YOU
GET A FREE PASS.

585
00:20:24,431 --> 00:20:25,974
I WON'T BE
NEEDING IT.

586
00:20:26,058 --> 00:20:27,684
UGH...

587
00:20:27,768 --> 00:20:30,812
EW! WAY TOO MUCH
BERRY IN THAT ONE.

588
00:20:33,106 --> 00:20:34,024
THIS ONE'S
ON THE HOUSE.

589
00:20:34,107 --> 00:20:36,318
I CALL IT
THE SHADY SADIE.

590
00:20:36,401 --> 00:20:37,527
TELL ME IF IT
TASTES BITTER
TO YOU.

591
00:20:37,611 --> 00:20:38,862
FRED, PLEASE.

592
00:20:38,946 --> 00:20:40,530
NO MORE REMINDERS
ABOUT THAT STUPID SONG.

593
00:20:40,614 --> 00:20:41,740
I'M BEGGING YOU.

594
00:20:41,823 --> 00:20:43,575
I'LL MAKE AN EXCEPTION
FOR YOU, TINY.

595
00:20:43,617 --> 00:20:44,910
YOU LOOK LIKE YOU
HAD A ROUGH DAY.

596
00:20:44,993 --> 00:20:46,578
[ Sigh ]
YOU GOT THAT RIGHT.

597
00:20:46,662 --> 00:20:48,413
AND YOUR NEW DRINK
IS THE LEAST OF
MY PROBLEMS.

598
00:20:48,497 --> 00:20:50,499
[ Rap ♪♪♪ ]

599
00:20:58,131 --> 00:20:59,091
WHAT ARE YOU DOING?

600
00:20:59,174 --> 00:21:01,718
I, UH, THINK I HAVE THE
SOLUTION TO YOUR PROBLEM.

601
00:21:01,802 --> 00:21:03,011
A DIFFERENT SONG.

602
00:21:05,764 --> 00:21:06,974
[ Rapping ]
♪ YEAH, UH ♪

603
00:21:07,057 --> 00:21:08,308
♪ YO, I MESSED UP ♪

604
00:21:08,392 --> 00:21:09,893
♪ WHAT I DID WAS ILLIN' ♪

605
00:21:09,977 --> 00:21:11,019
♪ BUT I 'FESSED UP ♪

606
00:21:11,103 --> 00:21:12,729
♪ NOW YOUR BOY
IS CHILLIN' ♪

607
00:21:12,813 --> 00:21:15,023
♪ MAN, THAT GIRL IS DA BOMB
AND I DID HER WRONG ♪

608
00:21:15,107 --> 00:21:16,650
♪ HEY, THAT SADIE,
SHE RULES ♪

609
00:21:16,733 --> 00:21:17,985
♪ AND SHE'S PRETTY COOL ♪

610
00:21:18,068 --> 00:21:19,403
♪ SO SORRY FOR
WHAT I DID ♪

611
00:21:19,486 --> 00:21:20,612
♪ I HOPE SHE CAN FORGIVE ♪

612
00:21:20,696 --> 00:21:21,822
DID YOU WRITE
THAT FOR ME?

613
00:21:21,905 --> 00:21:23,365
I'M ONLY SAYING YES
IF YOU LIKE IT.

614
00:21:23,448 --> 00:21:24,324
ARE YOU KIDDING?

615
00:21:24,408 --> 00:21:25,325
I LOVE IT.

616
00:21:25,409 --> 00:21:26,743
I'D LOVE A TOILET
PAPER JINGLE

617
00:21:26,827 --> 00:21:28,996
IF IT MEANT THAT
SHADY SADIE WAS OVER.

618
00:21:29,079 --> 00:21:31,790
♪ AND THE GIRL IS DA BOMB
AND I DID HER WRONG ♪

619
00:21:31,873 --> 00:21:33,333
♪ MAN, THAT SADIE
SHE RULES... ♪

620
00:21:33,417 --> 00:21:34,626
IF YOU WANT PEOPLE TO STOP
POINTING AND LAUGHING,

621
00:21:34,668 --> 00:21:36,336
I'D HAVE MORE HIP
AND LESS HOP.

622
00:21:36,420 --> 00:21:39,089
Sadie: [ Voice over ]
OKAY, NOT MY
PREFERRED OPTION,

623
00:21:39,172 --> 00:21:42,342
BUT IF IT MEANT
I HAD TO GO THROUGH
A LITTLE EMBARRASSMENT

624
00:21:42,426 --> 00:21:43,802
TO GET BACK TO
NORMAL WITH BEN,

625
00:21:43,844 --> 00:21:44,845
IT WAS WORTH IT.

626
00:21:44,928 --> 00:21:46,763
GO, SADIE, GO, SADIE.

627
00:21:46,847 --> 00:21:48,473
GO, GO, GO, SADIE.

628
00:21:48,557 --> 00:21:50,684
♪ SA-A-AY-DEE ♪

629
00:21:50,767 --> 00:21:52,310
♪ SAY-DEE ♪

630
00:21:53,145 --> 00:21:58,358
[ ♪♪♪ ]